ESCENAS DE PUDOR Y LIVIANDAD PDF

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EFE Things I learned when i traveled to Mexico: never, under any circumstances, even if you are surrounded by hipsters and rockers, make fun of Juan Gabriel.

And never make a joke about his sexuality. Juanga, as he was known, also came to symbolize the chasm that existed between those who maintained the vision of a republic with a rigid class system and those who embraced reality. It was a great big fuss. Some saw the performance as a desecration of the place, the triumph of the Televisa aesthetic. Juan Gabriel was moderate that night in I finally met him in Barcelona at an award ceremony. He seemed hurt that he was not being treated as what he really was: the biggest star at the event.

He had a venomous tongue that always hit its target. But then, he calmed down. They traveled together through small towns in the interior of Mexico where Juan Gabriel performed in cockfighting pits between two matches and the occasional shoot-out.

But the singer-songwriter always restored peace. He was, literally, above good and evil. Juan Gabriel was the dam that halted the flood of English-language music. He added new songs to the ranchera, bolero and balada songbooks. Later in his career, he even accepted rock music. One of his last recordings was an adaptation of Have you ever seen the rain? But then, that was Juanga Adheres to.