Es semiclandestina. Y lo haremos. Estamos decididos a apoderamos de la U. Pero antes incluso de que el capitalismo entrase en este atolladero el arte era esencialmente unilateral, sin respuesta. Alienation and oppression in this society cannot be distributed amongst a range of variants, but only rejected en bloc with this very society.
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Es semiclandestina. Y lo haremos. Estamos decididos a apoderamos de la U. Pero antes incluso de que el capitalismo entrase en este atolladero el arte era esencialmente unilateral, sin respuesta. Alienation and oppression in this society cannot be distributed amongst a range of variants, but only rejected en bloc with this very society. All real progress has clearly been suspended until the revolutionary solution of the present multiform crisis. Work would more and more be reduced as an exterior necessity through the automation of production and the socialization of vital goods, which would finally give complete liberty to the individual.
Thus liberated from all economic responsibility, liberated from all the debts and responsibilities from the past and other people, humankind will exude a new surplus value, incalculable in money because it would be impossible to reduce it to the measure of waged work.
The guarantee of the liberty of each and of all is in the value of the game, of life freely constructed. The exercise of this ludic recreation is the framework of the only guaranteed equality with non-exploitation of man by man. The liberation of the game, its creative autonomy, supersedes the ancient division between imposed work and passive leisure. The church has already burnt the so-called witches to repress the primitive ludic tendencies conserved in popular festivities.
Under the existing dominant society, which produces the miserable pseudo-games of non-participation, a true artistic activity is necessarily classed as criminality.
It is semi-clandestine. It appears in the form of scandal. So what really is the situation? The revolutionary gamesters of all countries can be united in the S. Henceforth, we propose an autonomous organization of the producers of the new culture, independent of the political and union organizations which currently exist, as we dispute their capacity to organize anything other than the management of that which already exists.
From the moment when this organization leaves the initial experimental stage for its first public campaign, the most urgent objective we have ascribed to it is the seizure of U.
United at a world level, the bureaucratization of art and all culture is a new phenomenon which expresses the deep inter-relationship of the social systems co-existing in the world on the basis of eclectic conservation and the reproduction of the past. The riposte of the revolutionary artists to these new conditions must be a new type of action. As the very existence of this managerial concentration of culture, located in a single building, favors a seizure by way of putsch; and as the institution is completely destitute of any sensible usage outside our subversive perspective, we find our seizure of this apparatus justified before our contemporaries.
And we will have it. We are resolved to take over U. What would be the principle characteristics of the new culture and how would it compare with ancient art? Against the spectacle, the realized situationist culture introduces total participation. Against preserved art, it is the organization of the directly lived moment. Against particularized art, it will be a global practice with a bearing, each moment, on all the usable elements.
Naturally this would tend to collective production which would be without doubt anonymous at least to the extent where the works are no longer stocked as commodities, this culture will not be dominated by the need to leave traces.
The minimum proposals of these experiences will be a revolution in behavior and a dynamic unitary urbanism capable of extension to the entire planet, and of being further extensible to all habitable planets. Against unilateral art, situationist culture will be an art of dialogue, an art of interaction.
Today artists — with all culture visible — have been completely separated from society, just as they are separated from each other by competition. But faced with this impasse of capitalism, art has remained essentially unilateral in response. This enclosed era of primitivism must be superseded by complete communication. At a higher stage, everyone will become an artist, i. We will inaugurate what will historically be the last of the crafts. However, the last craft of history is so close to the society without a permanent division of labor, that when it appeared amongst the S.
We await the turning point which is the inevitable liquidation of the world of privation, in all its forms. Such are our goals, and these will be the future goals of humanity.
Manifiesto Situacionista (esp-eng)
Kekasa We need to reinvent a public world. He never dies, just leaves the full imprint of his body at the bottom of the abyss. The field is not just a plane of consistency, as the popular Deleuzian discourse would have it. Within a manipulative world all motives seem venal, all efforts illusory. Since its founding in the Nevada desert inBlack Rock City has grown from a hamlet of 80 people into a five square mile civic entity complete with a fire department, two daily newspapers, over 20 radio stations, a department of public works.
“La vanguardia no se rinde”: Guy Debord y el Situacionismo.